![]() “But no one gains by pretending that problematic dynamics don’t exist, because they always do. There’s a lot of innovation and creativity there,” Schwartz said. ![]() “Lagerfeld was such a giant that to pretend he wasn’t would be like throwing the baby out with the bathwater. ![]() That choice has proven problematic to some observers, including Alexandra Schwartz, curator of modern and contemporary art, craft, and design at New York’s Museum of Arts and Design (MAD). A clear choice was made to isolate Lagerfeld-the-creative-genius from Lagerfeld-the-deeply-flawed-person. While Lagerfeld’s caricature-like persona and humor are explored in wall texts and the garments themselves, the consequences of his flippant attitude are not, with the exception of a discreet mention in the exhibition catalogue. Instead, the show-which runs through July 16-emphasizes the designer’s singular process and innovative techniques, as well as the myriad historical and artistic references and personal collecting practices that informed his designs. None of Lagerfeld’s many wrongdoings figure in the Met exhibition, however. How the Ultrawealthy Use Private Foundations, Art, and Other Valuables to Bank Millions in Tax Deductions ![]()
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